Volume 2: Cumberland, Westmorland and Lancashire-North-of-the-Sands

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Current Display: Dearham 02, Cumberland Forward button Back button
Overview
Present Location
Cemented to window-sill at west end of nave, inside
Evidence for Discovery
Discovered among building rubble from north side of chancel arch during restoration of 1882. A further fragment, not currently forthcoming, discovered (at earlier date?) in foundations of pulpit and built into east end of vicarage garden wall, on church side (Calverley 1884a, 289-90).
Church Dedication
St Mungo
Present Condition
Good, though worn on face B
Description

Slab-like shaft. Single incomplete panels occupy all four faces of the shaft, bordered laterally by a flat-band moulding.

A (broad): Spiral-scroll with pellets. The scroll takes on T-pattern forms on the left border and encloses two swastika-like shapes in the lower part of the design. Near the top, surrounded by scroll, is a rider holding the reins of a horse which has a drooping bird-like head. Immediately below is a bird, seen in profile, perching on a branch and facing a man.

B (narrow): Three-strand plain stopped-plait.

C (broad): Three parallel strips of vertical ornament. Down the centre is a single-branch spiral-scroll and on either side of this is a simple twist, enclosing (and to the left itself twice flanked by) pellets.

D (narrow): Three-strand plain plait.

Discussion

Spiral-scroll school (Introduction, pp. 33–8). This shaft is closely linked to Aspatria 2 where there is a similar use of three vertical strips of identical ornament and (otherwise unique in the school) anthropomorphic decoration. The significance of the figural ornament, if any such existed, is now irrecoverable. The bird and man may, however, merely represent meaningless adaptations of the human and avian inhabitants of pre-Viking scrolls (see Urswick 1 and Jarrow, co. Durham, nos. 19–20 (Cramp 1984, pl. 98, 525)). The horseman is unlikely, however, to derive from a similar Northumbrian source. Riders are not a theme which figures in pre-Viking sculpture in this area though they do occur before the tenth century among stone carvings in Mercia, Ireland and Scotland. The use of this motif at Dearham presumably derives from one of these regions or from Viking-period work across the Pennines (Cramp 1984, pls. 20, 102; 61, 290; 79, 394; 139, 745).

Date
Tenth to eleventh century
References
Jewitt 1884, 84–5; Allen 1885, 354; Calverley 1884a, figs; Calverley 1884b, figs. on 81 and 83; Allen 1886, 333, 334; Calverley 1888a, 29; Calverley 1891c, 233; Calverley 1899a, 127–30, 297, 298 figs. facing 127 and 128; Collingwood 1899–1901, 325; Collingwood 1901a, 261, fig. facing 262; Collingwood 1906–7a, 125, fig. on 126; Collingwood 1922–3, 229; Collingwood 1923c, 249; Collingwood 1924b, 354; Collingwood 1927a, 95–6, 147; Kendrick 1941b, 10, pl. VIII (a); Kendrick 1949, 64–5, pl. XLV (1); Pevsner 1967, 121; Bailey 1974a, I, 47–80, 369, II, 104–5, pls.; Bailey 1980, 227; Bailey 1984, 19
Endnotes

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