Select a site alphabetically from the choices shown in the box below. Alternatively, browse sculptural examples using the Forward/Back buttons.
Chapters for this volume, along with copies of original in-text images, are available here.
Object type: Font or cross-base [1]
Measurements: H. 38 cm (15 in); W. (face A) 79 > 75 cm (31 > 29.5 in); D. 83 > 73 cm (32.8 > 29.7 in)
Stone type: Sandstone, coarse- to very coarse-grained, with occasional granular quartz grains. Slightly micaceous with kaolinite pore-fills. Local Millstone Grit Group. [G.L.]
Plate numbers in printed volume: Ills. 64-68
Corpus volume reference: Vol 8 p. 101-2
(There may be more views or larger images available for this item. Click on the thumbnail image to view.)
A: This face appears to be set out in lines for lettering, which from Haigh (1869–70) onwards has been seen as runes, although readings by those prepared to make them have varied considerably. No-one in modern times has been able to decipher them. Collingwood (1915a, 141–4) gives an admirable description of an attempt to read the lettering in a good light, and even then was unable to support the conclusions reached by earlier observers, although he saw a cross at the beginning of the first line and suggested possible readings for about eight of the letters. Page (1969, 34) said it was 'now completely illegible, except for a few scattered and doubtfully identifiable runes'. The only agreement seems to be that there were three, possibly four lines of text, separated by incised lines, and there also seems to be agreement that the letters were runes.
B: A loose, angular and irregular twist or pseudo-interlace, median incised. The exit hole for the drain, cut into a corner of the base inside, is in the lower right-hand corner.
C: Irregular and very angular twist or pseudo-interlace with loose pellets.
D: Irregular pseudo-interlace, with some very angular turns, incorporating pellets and one large loose ring.
It is difficult both to date this piece and to say what it is, and this is not only because the runes are unreadable, but because of the relative crudity of the decoration and the overall form of the piece. Bailey (1980, 52) expressed his frustration on the dating issue, saying that but for the illegibility of text, the 'Bingley font represented our best hope of finding ornament accompanied by a runic inscription which would date it to the Viking period'. However, apart from the lack of convincing readings of the inscription, the clumsiness and irregularity, and the large scale of the design in relation to the space, mean that it is very difficult to find parallels to the decoration, although this does contain elements found in pre-Conquest, Anglo-Scandinavian, sculpture, including the pellets, the loose ring, and the angular twists apparently emulating interlace. There are a number of pieces in the West Riding which have versions of the loose twist, including free rings, for example at Thorp Arch and Wighill (Ills. 722, 766–8), and the former in particular has a twist with broad angular curves and large loops reminiscent of face B, but they are difficult to compare directly, as both are finer carvings (and in limestone) and on a smaller scale, and neither has the scattered pellets. The large-scale twist, loose rings and pellets are all found on west Yorkshire cross-shafts which are certainly twelfth century, at Barnburgh, Rawmarsh and Thrybergh (Appendix B, pp. 286, 288, 289) which have been said to have a distinct 'Anglo-Saxon stamp', and indeed sometimes have been wrongly dated to the pre-Conquest period (Brown 1937, 142–5, pls. XXXVIII, XXXIX), but these are also more regular in layout. Overall, the connections with the late pre-Conquest sculpture are the more convincing. The stone is the same local stone as that of the shaft fragment, Bingley 1, which while not exactly the same nor obviously by the same hand, also has irregular decoration very clumsily executed.
The problems involved in defining the function of this piece are fully discussed in Chap. IV, p. 43. It clearly has a bowl or socket, and the decoration though crude shows clearly that it has not been cut down from alarger monument. In the absence of a legible inscription, it may be impossible to come to a firm conclusion, but on balance that it was a font seems the most probable of the possible functions suggested for it.