Volume 8: Western Yorkshire

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Current Display: Dewsbury 07, West Riding of Yorkshire Forward button Back button
Overview
Present Location
As Dewsbury 4
Evidence for Discovery
See Dewsbury 1-3
Church Dedication
All Saints
Present Condition
Incomplete and battered, but the carving that survives on three faces is in quite good condition.
Description

This is part of a cross-shaft. All surviving faces are edged with a fine double roll moulding. The style of carving varies somewhat from face to face.

A (broad): On this face, the strands have straight sides but a modelled surface. The crossing strands cut through the underlying strands rather than flow over them, leaving short sausage-like sections. Nevertheless this is a clear attempt at a modelled style. The design features a bush-scroll with a double stem springing from a flat semi-circular root and dividing the panel vertically. The left-hand side is mostly missing, however. At the top a tendril springs from the central stem and forms a spiral volute with which is enlaced another twig which springs from near the root. A battered binding leads to another volute in the lower right corner, and this too enmeshes a tendril which springs from the side of the root. This tendril terminates in a tri-lobed leaf, or paired leaves with a bud, between the two volutes.

B (narrow): The modelling of the inner mouldings is very slight, especially on the right edge. The face itself is dressed plain.

C (broad): The face now hidden in the display has a second bush-scroll in a flat, un-modelled style which is actually more competent and regular than the attempt on face A. The central stem is a double incised line with a stepped base, which is centred on a semi-circular mound the width of the face. A tendril which divides into two volutes springs from the root on each side. Each volute terminates in a large flower, and pointed leaves fill the spandrels.

D (narrow): Missing

Discussion

Collingwood (1915a, 171) compared the interlacing scrolls on face A, which stop short of the crossings without pretending to pass under or over, to the 'stopped-plait' with this characteristic on some Cumbrian sculpture such as those from St Bees (Bailey and Cramp 1988, 145–7, ills. 543–55). However, Bailey saw this piece as an example of an Anglian precursor to the Anglo- Scandinavian 'spiral-scroll school' exemplified by St Bees (ibid., 36), the influence of which is also seen in the West Riding, and this seems the most likely scenario in view of its relative competence. The floral terminations on the Dewsbury piece relate it to those on the cross-head from Little Ouseburn (no. 5, Ill. 535), and it may not be much later in date. It is in a recognisably modelled style, and the bush-scroll on face C is also paralleled on other Anglian-period sculptures, for example Ilkley 6 (Ill. 387).

Date
Probably late ninth century
References
Collingwood 1912, 129; Collingwood 1915a, 171, 271, 274, 288, figs. u–w on 170; Collingwood 1929, 32, figs. u–w; Bailey and Cramp 1988, 36; Sidebottom 1994, 83–5, 246, no. 8, and pls.
Endnotes
[1] The following are general references to the Dewsbury stones: Hunter 1834, 149–68; Nichols 1836, 39; Haigh 1857, 155n; Hübner 1876, 63, no. 173; Browne 1885–6, 128; Allen 1889, 129, 213, 217–18, 220, 222; Allen 1890, 293; Fowler 1903, 128; MacMichael 1906, 360–1; Morris 1911, 46, 174–5; Lethaby 1913, 158–9; Collingwood 1915b, 334; Glynne 1917a, 191; Collingwood 1923, 7; Collingwood 1927, 6–7, 33, 74, 109, 116, fig. 13(6); Collingwood 1929, 17, 22, 24, 28–9, 30, 33, fig. on 28; Collingwood 1932, 51, 53; Elgee and Elgee 1933, 196, fig. 36; Mee 1941, 119; Pevsner 1959, 20, 179; Cramp 1978a, 9; Faull 1981, 218; Ryder 1991, 20; Ryder 1993, 18, 149; Sidebottom 1994, 87–8, 156; Page 1995, 298; Lang and Wrathmell 1997, 375; Hadley 2000a, 248; Butler 2006, 93.

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