Volume 3: York and Eastern Yorkshire

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Current Display: York Coppergate 02, York Forward button Back button
Overview
Present Location
Yorkshire Museum, York
Evidence for Discovery
Found in 1977, during excavation of tenth-century levels on Coppergate site
Church Dedication
None
Present Condition
Much broken, but very crisp
Description

The top of the slab is uncarved. The decoration lies on the two vertical sides.

B: A flat perimeter moulding surrounds the end of the panel. Within the moulding is a drilled fix-point hole. The panel contains half a pattern of two interlocked profile beasts, one upside-down. The upright beast has an incised double outline. The long neck tapers from a substantial chest which has a scroll in relief immediately above the junction of the fore leg. The leg is double-outlined and has a four-toed paw. The head has an incised elliptical eye and an unfinished triple nose-fold. The lower jaw hangs open. The ear is extended into a median-incised fetter band which binds both animals.

The unfinished foot of the reversed beast lies in the mouth of the upright one. Its body has an incised double outline and median-incised tail. A fix-point hole lies on the incised contour.

E: The perimeter moulding is broad and flat, matching face A's. It also has fix-point markings. Within the panel is the head of a profile beast with double outline. The head is domed with a small, pricked ear and snub jowl. The incised eye is elliptical. The mouth is a closed slit and from it droops a frondy element. A forepaw has three toes.

Discussion

The fragment is an unfinished reject. The reversed beast of face A has incomplete rear quarters and the top has been only roughly prepared.

There is every likelihood of this piece being produced by the same hand as Newgate 1 (Ills. 342–6) and the Clifford Street slab (Ills. 328, 331–2). The inclined cutting of the planes where fetters cross are common to all three. The beast-head of face B is identical with those of the beast-chain of Newgate and derives from English manuscript styles of the late ninth century. The face A beast, on the other hand, has the nose-fold and extended ear more usually associated with the Jellinge style. Like the other stones in the group, Magnesian Limestone is used. It is the work of the York Master (see Chaps. 10, 13, and Newgate 1).

The archaeological context implies a deposition date of not later than c. 960 (pers. comm. R. A. Hall). This is a much needed example of a stratified context for pre-Conquest sculpture. Such a date conforms with stylistic chronology for the animal ornament.

Date
First half of tenth century
References
Hall 1978a; Lang 1978b, 148; Bailey 1980, 50–1, 53, 56, 256, pl. 12; Graham-Campbell 1980, 132, no. 455; Hall 1908b, 11, pl.; Bailey 1981b, 138, no. YS1, fig. on 121; Wilson 1984, 144, pl. 174; Lang 1985, 134–5, fig. 10; Tweddle 1987a, 120; Lang forthcoming
Endnotes
1. The following is a general reference to the Coppergate stones: Hall 1980b, 8-9.

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