Volume 6: Northern Yorkshire

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Current Display: Kirklevington 01, Yorkshire North Riding Forward button Back button
Overview
Present Location
Loose in north-west corner of nave, interior, against north wall
Evidence for Discovery
Most of the fragments were found in taking down the nave when the church was rebuilt in 1882 (Young 1882). In 1907 the loose stones were in the church; in the mid twentieth century in the churchyard; until recently all were in the porch.
Church Dedication
St Martin
Present Condition
Broken at top and bottom; fairly worn
Description

A (broad) : The edge moulding is broad and flat. On the right, what appears to be median incision is a flaw in the stone. In a long panel is a ring-twist with a Stafford knot terminal in broad flat strand, median-incised in picked work. Below this are two crudely cut frontal figures with pear-shaped heads and incised features. From round shoulders their arms hang to accentuate a heart-shaped chest. The knee-length kirtle is splayed, with diagonal ridged folds. The feet are turned outwards. They stand on a broad transverse moulding contained within the panel. Below it are remains of median-incised loops.

B (narrow) : The edge moulding is as on face A. A long panel contains Como-braid (S-twist) in median-incised strand; the hole-points are not gridded. The base of the panel has an integral transverse flat moulding, below which is a median-incised strand: one much worn register of interlace.

C (broad) : Largely worn away, except for part of a broad flat edge moulding at the top right. Within the panel are remains of closed circuit interlace in broad, flat, median-incised strand.

D (narrow) : Similar edge mouldings to those of the other faces contain a long panel of four-cord closed circuit interlace in median-incised strand. The outer resolution is a pattern D terminal; the inner, a symmetrical pattern F loop. At two points there are natural depressions in the stone into which the carving descends. Slight remains of gesso and red pigment adhere. At the base is a transverse moulding below which are slight remains of median-incised strand.

Discussion

The shaft copies the more competent crosses of the Allertonshire workshop (see Chap. VI, p. 44). There is no gridding but the ornamental repertoire of frontal figures, closed circuit and Como-braid was close at hand. The pair of figures are male to judge from their kirtles, and resemble those of Gainford 1 (Cramp 1984, 80, pl. 57, 278), on the north bank of the Tees.

Date
Tenth century
References
Young 1882, 459 (4); Collingwood 1907, 271, 275, 279, 281, 282, 288, 351, figs. v–x on 353; Collingwood 1912, 125; Collingwood 1915, 264; Collingwood 1927a, 146; Pevsner 1966, 221; Brown, M. 1979, 28, pl. 5; Bailey 1980, 191–3, fig. 54; Everson and Stocker 1999, 129
Endnotes

[1] The following are general references to the Kirklevington stones: Browne 1880–4, cx, cxii; Young 1882, 458; Allen and Browne 1885, 352; Frank 1888, 44; Bulmer 1890, 162; Hodges 1894, 195; (—) 1896–1905a, viii; Lofthouse 1896–8, 16; (—) 1899–1900b, 250; Morris, J. 1904, 228–9, 420; Collingwood 1908, 120; Page, W. 1923, 262; Morris, J. 1931, 229, 417; Elgee and Elgee 1933, 217, 248; Mee 1941, 136; Pevsner 1966, 221; Morris, C. 1976a, 143–4; Brown, M. 1979, 44; Horton 1979, 195; Bailey 1980, 252, 255, 265; Cramp 1984, 30; Lang 1991, 42, 214; Daniels 1995, 81; Stocker 2000, 200–3.

[2] The following is an unpublished manuscript reference to no. 1: BL Add. MS 37552 no. XIV, item 649 (Romilly Allen collection).


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