Volume 6: Northern Yorkshire

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Current Display: Kirklevington 02, Yorkshire North Riding Forward button Back button
Overview
Present Location
Loose in north-west corner of nave, interior, against west wall
Evidence for Discovery
See no. 1.
Church Dedication
St Martin
Present Condition
In fine condition on one face, but much scabbled
Description

A (broad) : The right-hand side is damaged. On the left is a broad modelled edge moulding which turns to form the neck of the shaft. A broad horizontal moulding stems from it at this point and is locked by a ring. Above the transverse moulding are two terminal loops of interlace in deeply modelled strand with the remains of drilled hole-points. The right-hand locking ring survives. (i) Below is a panel of closed circuit interlace in the same strand (1 inch wide) with very deep hole-points. The pattern is a ring-knot, the ring being diamond-shaped, threaded by a twin link. Below is a transverse moulding. (ii) In the panel below is a frontal human figure, deeply modelled (0.75 inch in relief), who wears a conical cap. The features are incised: a horizontal slit for the mouth, and the eyes and nose in a continuous line forming a 'hook and eye' motif. The lightly modelled ears are drilled in the centre. His arms hang vertically. He wears a flared smock to knee level, which has a neck slit and expanded sleeves. His finger tips poke out from the sleeves. His chunky legs have pointed feet extended towards the viewer and they stand on a very broad inclined border. On his shoulders perch two birds with short legs, no tails, and folded wings which have a hatched surface. (iii) Below the border are remnants of two box-point terminals in broad flat strand.

B (narrow) : Largely scabbled, except the very top where locking rings and transverse mouldings survive.

C (broad) : Scabbled. Some hole-points may survive.

D (narrow) : Locking rings and transverse moulding survive. At the top, thinner interlace strands with free ends float upwards. There may be something of a knitting stitch loop. Below, it is scabbled with mortar adhering.

Discussion

This is very accomplished carving, of a standard superior to most Anglo-Scandinavian pieces in Yorkshire. The planning of the ornament is tight and regulated by a grid (see Chapter VI), though it is the figure carving's plasticity which is most striking, as Rosemary Cramp rightly notes, having 'the solidity and volume of the figure carving on the high crosses of tenth-century Ireland' (Cramp 1972, 147–8). The shaft is the most notable of the Allertonshire workshop, with its trademark of the locking ring (Chapter VI), and there are close parallels at Sockburn and Brompton where frontal human figures are found carved almost in the half-round (Ills. 37, 40, 44; Cramp 1984, pl. 134, 726).

The iconography of the birds must remain a matter of debate. Collingwood (1907, 352; 1927a, 163) considered them doves and the man a portrait, presumably of the deceased. A more stylised version was once visible on Billingham 1 (Cramp 1984, 48, pl. 15, 68–9), but the naturalism and the details of secular civilian dress on Kirklevington 2 may confirm Collingwood's view. The Allertonshire parallels are all military in their dress and accoutrements. An alternative interpretation suggests that the figure is Óðinn and the birds his ravens, and there is Óðinn imagery not far distant at Sockburn, co. Durham (Lang 1972, 239, 243–4, 246), albeit by a different sculptor's hand.

Date
First half of tenth century
References
Young 1882, 459 (5); Collingwood 1907, 351–2, fig. y on 353; Collingwood 1912, 111, 120, 125; Collingwood 1915, 281; Collingwood 1927a, 163; Pevsner 1966, 221; Cramp 1972, 147–8; Lang 1973, 19; Lang 1976, 91–2; Cramp and Lang 1977, no. 12, pl.; Bailey 1978b, 184; Lang 1978c, 18, pl. Ie; Brown, M. 1979, 28, pl. 4; Bailey 1980, 185, 203, 234, 265, fig. 49, pl. 57; Bailey 1981, 93, cat. F21; Cramp 1982, 13, 17, pl. 11; Lang 1983, 182, pl. LXXVIa; Cramp 1984, 31, 48, 72, 137, 145; Owen-Crocker 1986, 116, 117, 169, 219n, fig. 101; Lang 1991, 202; Cramp 1992, 87; Bailey 1996a, 91, fig. 46; Everson and Stocker 1999, 202
Endnotes

[1] The following are general references to the Kirklevington stones: Browne 1880–4, cx, cxii; Young 1882, 458; Allen and Browne 1885, 352; Frank 1888, 44; Bulmer 1890, 162; Hodges 1894, 195; (—) 1896–1905a, viii; Lofthouse 1896–8, 16; (—) 1899–1900b, 250; Morris, J. 1904, 228–9, 420; Collingwood 1908, 120; Page, W. 1923, 262; Morris, J. 1931, 229, 417; Elgee and Elgee 1933, 217, 248; Mee 1941, 136; Pevsner 1966, 221; Morris, C. 1976a, 143–4; Brown, M. 1979, 44; Horton 1979, 195; Bailey 1980, 252, 255, 265; Cramp 1984, 30; Lang 1991, 42, 214; Daniels 1995, 81; Stocker 2000, 200–3.

[2]The following is an unpublished manuscript reference to no. 2: BL Add. MS 37552 no. XIV, item 649 (Romilly Allen collection).


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