Volume 6: Northern Yorkshire

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Current Display: Masham 05, Yorkshire North Riding Forward button Back button
Overview
Present Location
At the east end of the nave, north side: mounted on a base
Evidence for Discovery
None; but see no. 4. Illustrated by Hodges in 1894.
Church Dedication
St Mary
Present Condition
Split in half lengthways, one face dressed off and coated with cement; otherwise crisp. The end is lost.
Description

A (broad) : The arm is of type D9. There is a double edge moulding in two narrow modelled strands. At the centre of the cross is a broad raised roundel stepped up in three stages in narrow modelled mouldings. Within it is well modelled interlace in narrow strand, originally in four discreet registers, only two of which remain. The pattern is a tight form of 'knitting stitch', identified by Gwenda Adcock as two wide pattern E loops each threaded through with a triquetra (1974, 97, fig. 15a). In the arm is a plant-scroll in narrow well modelled strand, with pointed leaves with twin lobes in the upper corners. The strands, whose roots seem to have been in the lost arm-tip, form a kind of tight medallion scroll with shootlets bearing triangular berry bunches. The shootlets loop, entangling each other. The two principal stems make one twist in the centre of the arm. Below it is pair of trumpet nodes which curve downwards tipped with three-lobed berries. The pattern repeats below this.

B (narrow) : Very worn on the curve but a double edge moulding forms a frame within the cusp. On the outer cusp are remains of very worn interlace in narrow modelled strand. Adcock identified this as turned pattern F with the addition of a twist between the two surviving units (1974, 97–8, fig. 15c).

C (broad) : Dressed.

D (narrow) : As face B. The interlace lies within a narrow modelled frame. Adcock identified the remains of two registers of complete pattern F (1974, 97, fig. 15b).

E (top) : There are two dowel holes in the broken surface of the head, presumably from a later repair.

Discussion

With no. 4, this is probably the cross-head of no. 1. The unit of measure, 0.75 inches, is the same and that is common to all works of the Uredale master (see Chap. VI, pp. 41–3). The carving is assured and the plant-scroll appears organic. The thicker stems towards the tip of the arm and the fall of the shootlets suggest that this piece is the lower limb or even top of the shaft of the original monument. The complex interlace motif in the centre of the head has been compared with Durham MS A.II.10, fol. 3v (Adcock 1974, 97; Nordenfalk 1977, 32, pl. 1).

Date
Late eighth to early ninth century
References
Robinson, J. 1890, 35; Hodges 1894, 204, 205, fig. on 204; Collingwood 1907, 269, 270, 272, 274, 284, 287, 291, 292, 360, fig. a on 361; McCall 1909, 235; Collingwood 1912, 126; Page, W. 1914, 330; Collingwood 1915, 269, 273, 278; Collingwood 1923, 7, pl. II.5; Brøndsted 1924, 43n; Collingwood 1927a, 6, 110, figs. 13.5, 133; Collingwood 1932, 50; Pontefract and Hartley 1936, 138; Cramp 1959–60, 17n; Pevsner 1966, 241; Adcock 1974, 96–8, 116n, 130, pl. 15a–c; Cramp 1978a, 9, 12; Cramp 1978b, 123; Bailey 1980, 265; Cramp 1984, 9, 16, 17n, 95, 210, 212, 213, 214; Hawkes 1989, II, 59n; Lang 1990a, 7; Lang 1991, 22, 23, 169; Cramp 1992, 11n, 226, 229, 230
Endnotes
None

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