Volume 8: Western Yorkshire

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Current Display: Gargrave 5, West Riding of Yorkshire Forward button Back button
Overview
Present Location
As Gargrave 1
Evidence for Discovery
See Gargrave 1
Church Dedication
St Andrew
Present Condition
Incomplete and slightly worn but otherwise in good condition
Description

A plate-head with a superimposed ring of type 3, the arms of type E8.

A and C (broad): The head is plain apart from the ring which is ornamented with pellets between flat borders.

B and D (narrow): Broken away

E (top): The plain end of the arm extends above the ring.

Discussion

Apart from this example at Gargrave, the distribution of this type of circle head, in which the connecting ring appears to overlie the arms that extend like ears beyond the ring, is on the west coast between Cumbria and north Wales, with some outliers in Cornwall (Bailey and Cramp 1988, 31–2). Bailey noted that the Cumbrian and Cheshire versions have distinct characteristics. Gargrave 5 seems very close to the Cheshire variant as its armpits are not pierced and its ring is decorated with pellets rather than interlace, very similar to examples from St John's, Chester (Bu'lock 1958, fig. III). However, the crested circle links it to the Cumbrian series also: compare Muncaster 1, Cumberland (Bailey and Cramp 1988, ills. 471–5). The westward-leaning, Irish-Norse connections of Gargrave 4 have already been noted. This is the sole example of the type in western Yorkshire, although I have noted that an unpierced ring head, Burnsall 10 (p. 112, Ills. 123– 6), which also has Hiberno-Norse connections, may have been influenced in its proportions by some awareness of this type.

Date
Early tenth century
References
Parez 1893, 90, fig. VIII; Collingwood 1912, 129; Collingwood 1915a, 173, 281, fig. b on 174; Collingwood 1926, 327; Collingwood 1927, 143, fig. 156b; Bailey 1980, 177– 80, 182, fig. 43; Bailey and Cramp 1988, 31, 118; Lang 1991, 41; Richards 1991, 120; Lang 2001, 41
Endnotes
[1] The following are general references to the Gargrave stones: Morris 1911, 225; Collingwood 1915b, 334; Morris 1923, 225, 549; Mee 1941, 141; Pevsner 1959, 216.

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